March 11, 2021

Learning to See by Elise Hooper
#throwbackthursday

Genre/Categories: Historical Fiction, Fictionalized Biography, Photography, Internment Camps

In 2020, I decided to systematically revisit my older review posts and update them. On Thursdays, I’ll be re-sharing a few of these great reads, and today I look forward to sharing my review of a story about a real life photographer, Dorothea Lange. Learning to See….compelling, biographical historical fiction.

I’m linking up today with Davida @ The Chocolate Lady’s Book Review Blog for #throwbackthursday.

*This post contains Amazon affiliate links.

My Summary:

“Learning to See is a fictionalized biography inspired by real life photographer, Dorothea Lange. We first meet twenty-two year old Dorothea Nutzhorn in 1918 as she arrives in San Francisco with her best friend. Through wit and a determination to create her own life far from her home in the Northeast, Dorothea changes her name to Dorothea Lange, takes a risk in opening a portrait studio, and marries an older established artist, Maynard Dixon. Dorothea’s portrait studio enjoys success and it provides a steady and dependable income for their growing family of two children. When the economy collapses in the 1930s, economic troubles place tremendous strain on an already fragile marriage and Dorothea desperately seeks out ways to support her two young sons and a drunken, disillusioned, and out-of-work husband. As Dorothea’s portrait business declines in the economy, she begins to take pictures of the poor and desperate people on the streets of San Francisco. In addition, she travels throughout California and the Southwest documenting labor conditions on farms, gradually realizing that these pictures are more meaningful than what she produces in her portrait studio because her pictures from the streets and fields tell a true story of the economic hardships that people are facing. Later, the United States enters WW11 and Dorothea accepts a government job photographing the internment camps into which the Japanese have been placed. Not everyone appreciates seeing the truth of these pictures and she is censored, threatened, and discouraged. This doesn’t deter Dorothea from her travels, her photographs, or her purpose. There’s a dual timeline running through the story which allows the reader to know Dorothea at the end of her life.”

“It takes a lot of practice to see things are they are, not as you want them to be.”